Competition feature film list. In Competition: WONG KAR-WAI 2046 2 h 00 Olivier ASSAYAS CLEAN 1 h 50 Agnes JAOUI COMME UNE IMAGE 1 h 50 Walter SALLES DIARIOS DE MOTOCICLETA 2 h 06 Hans WEINGARTNER DIE FETTEN JAHRE SIND VORBEI 2 h 07 Tony GATLIF EXILS 1 h 45 Michael MOORE FAHRENHEIT 911 1 h 50 OSHII MAMORU INNOCENCE 1 h 40 HONG SANG-SOO LA FEMME EST L’AVENIR DE L’HOMME 1 h 28 Lucrecia MARTEL LA NINA SANTA 1 h 50 Paolo SORRENTINO LE CONSEGUENZE DELL’AMORE 1 h 40 KORE-EDA HIROKAZU NOBODY KNOWS 2 h 21 PARK CHAN-WOOK OLD BOY 1 h 59 Andrew ADAMSON, Kelly ASBURY, Conrad VERNON SHREK 2 1 h 38 Joel COEN, Ethan COEN THE LADYKILLERS 1 h 44 Stephen HOPKINS THE LIFE AND DEATH OF PETER SELLERS 2 h 05 Apichatpong WEERASETHAKUL TROPICAL MALADY 2 h 00 Emir KUSTURICA ZIVOT JE CUDO 2 h 34 Out of Competition feature film list. Opening (Out Of Competition): Pedro ALMODOVAR LA MALA EDUCACION 1 h 50 Closing (Out of Competition): Irwin WINKLER DE-LOVELY 2 h 05 Out of Competition Raymond DEPARDON THE 10TH DISTRICT COURTS - MOMENTS OF TRIALS 1 h 45 Terry ZWIGOFF BAD SANTA 1 h 33 Frederic SOJCHER CINEASTES A TOUT PRIX 1 h 03 Zack SNYDER DAWN OF THE DEAD 1 h 37 Abbas KIAROSTAMI FIVE 1 h 14 YIMOU ZHANG FLYING DAGGERS 1 h 53 Silvio TENDLER GLAUBER O FILME, LABIRINTO DO BRASIL 1 h 38 Quentin TARANTINO KILL BILL VOL. 2 2 h 16 Yousry NASRALLAH LA PORTE DU SOLEIL 4 h 30 Jonathan NOSSITER MONDOVINO 2 h 39 Jean-Luc GODARD NOTRE MUSIQUE 1 h 20 Patricio GUZMAN SALVADOR ALLENDE 1 h 40 Wolfgang PETERSEN TROY 2 h 35 Gueorgui PARADJANOV I DIED IN CHILDHOOD 1 h 00 THE JURY - Feature Films Jury Quentin TARANTINO, President (Director, scriptwriter - United States) Emmanuelle BEART (Actress - France) Edwidge DANTICAT (Writer - United States) Tilda SWINTON (Actress - United Kingdom) Kathleen TURNER (Actress - United States) Benoit POELVOORDE (Actor, scriptwriter - Belgium) Jerry SCHATZBERG (Director - United States) TSUI Hark (Director - Hong Kong) Peter VON BAGH (Film Critic - Finland) PROLOGUE: A memo from the President When it comes to memos, who could ever hope to come close to the skill of Otto Preminger? How can one best give a list of recommendations, yet in the form of general observations? Well, here's the secret: be brief - it's always the most attractive option. For everyone. The principles that the Board of Directors of the Festival de Cannes wished to see respected are as follows: a mouth-watering menu with an inventive cuisine that is neither too traditional nor too pretentious; a selection that is the most international in the world, open to all film genres and without forgetting the foremost among them - the film lover genre; a selection that is attentive to the arrival of new generations (never overlooking first films), and which reveals true characters; a selection that is sufficiently compact and which combines all the necessary conditions for the films to be hosted and honoured in the great tradition of the Festival de Cannes, and which satisfy the "seizing the best" ambitions of any selector; a daring selection that creates desire, that triggers curiosity, that carries that certain vitality which currently fills film today and gives a hint of the film of tomorrow; a selection that helps these films, cinema, its creators and artists to exist and to continue their work... As for the other areas, always place film at the centre of our acts. Generally, to take nothing into account other than the art of film and the pre-eminence of talent. Lastly, to never forget, like Bouvard and Pecuchet (who felt almost a kind of humiliation at the idea that their persons contained phosphorous like in matches, albumin like in egg whites and hydrogen like in street lamps), that cinema is first of all a thin piece of film whose purpose is to be a supple medium to a sensitive, imprintable layer. ====================================================================== 내생각을 맞춰보아요. 추측은 말아요.